Fringe Monsters and Queens
Want to be part of the Fringe but you missed the Mainstage Lottery application deadline? Didn’t get drawn? Or are you far down on the waitlist? Don’t fret—you can still be part of the Festival by bringing your show to one of our pre-approved venues in the Bring Your Own Venue (BYOV) category!
These venues provide more opportunities to be part of the Festival by negotiating with the Fringe to keep rental costs for artists and the administrative capacity manageable. You can secure a spot by applying directly to these venues, which have varying criteria and processes, and then apply to the Fringe after you’ve been accepted to the venue! Note that Carousel Theatre is no longer accepting applications. For more information on the venues, the application process, and more, visit the Fringe website.
If you’re looking for more ways to put on a show at the Fringe, the Site-Specific and Dramatic Works categories are still accepting applications. And if you’re a female-identifying Indigenous playwright or director, you can apply to Advance Theatre: New Works by Diverse Women until February 15. You can find more information here.
Are you a racialized Artist* who identifies as BIPOC (Black, Indigenous, People of Colour)—with possible intersectionality in living with a disability, LGBTQ+, d/Deaf/Hard of Hearing, Blind/Low Vision—applying in the BYOV and Site-Specific categories? The Fringe is now offering an opportunity for Artists to apply for a subsidy for the $55 application fee!
The Fringe launched the application fee subsidy program for BIPOC Artists at the Fringe 101 information session in the fall. You can read more about the results of this inaugural program in the Mainstage category here. If the BIPOC Artist’s project was not selected in the Mainstage Lottery, then the subsidy can also be applied in the BYOV and/or Site-Specific applications. If you have questions about the BIPOC Artist subsidy, or would like to learn more about the Fringe’s Diversity Program, contact Equity, Diversity, and Inclusion Director Siobhan Barker (who’s leading the program) at firstname.lastname@example.org.
Furthering this initiative was the EDI goal of growing the internal working group by welcoming two new BIPOC members of the Fringe’s EDI committee: group facilitator, mediator, intercultural educator, and organizational change specialist Parker Johnson, and Ladan Sahraei, who is the first Deaf filmmaker in Iran. Learn more about the Fringe’s ongoing EDI work by signing up for the newsletter or visiting the Fringe website.
*The Artist must be the creative team lead in the application. We consider a “creative team lead” to be the creator/producer of work, or a team member whose creative leadership is integral to the production of the show. In most cases, this person would be the primary or secondary contact listed in your application.
Ready to pull the trigger? Theatre companies (old and new), artist collectives, ad hoc groups, or individuals interested in collaborating with new artists are welcome to apply. All you have to do is fill out the application form by February 7. After six groups have been selected, they will be given an inspiration package—which can be anything from a music box, to a portrait of horses, to a small toilet—on April 19 and given 48 hours to create an original piece of theatre, which they’ll present on April 21 at Performance Works.
Want all the theatre and none of the deadlines? You can also buy tickets to Theatre Under the Gun now, so you can sit back, relax, and enjoy what these theatre groups dream up in their race against the clock!
We are so sad to hear about the passing of our dear friend Michelle Williams. Michelle was a true Fringe fan and part of the Fringe family. She volunteered with the Festival for many years, starting as part of the site crew in 2012, and taking on bussing, security, and venue captain duties over the years. She was a friend to staff, artists, and other volunteers. She was truly a Fringe staple and we will miss her dearly.
The Fringe’s Site Coordinator, Mitchell Ingram, remembers Michelle fondly, saying, “She was a passionate lover of all things theatre, and a great asset to the community as a whole. Squiggles (which was Michelle’s nickname) will be missed.”
Just a taste of what Vancouver has to offer in the way of Theatre!
God is a Scottish Drag Queen, The Second Coming
Surrey Arts Centre
Fringe veteran Mike Delamont is back to impart some divine wisdom in God is a Scottish Drag Queen 2. In the years since the first show began, God has travelled the world with all new rants to share, and questions to answer.
Anywhere But Here
Catch the world premiere of Carmen Aguirre’s Anywhere But Here, which you may remember from the 2016 Advance Theatre series at the Fringe! In 1979, a family drives back towards Chile from Canada. With past, present, and future encircling their journey, this profoundly poetic story is about the universal quest for home—in whatever form that takes.
PuSh International Performing Arts Festival
January 21 – February 9
Now in its 16th year, PuSh International Performing Arts Festival is back to showcase three weeks of visionary, genre-bending, and multidisciplinary live performances! And PuSh has a treat for Fringers—get 15% off any of these shows that they specially selected for Fringe fans, by using the code PUSHFRINGE. Shows include Old Stock: A Refugee Love Story, written by Hannah Moscovitch (you may remember her from her work in The Russian Play, which was featured in the 2019 Fringe!), and Frontera, a multimedia performance guided by ideas on borders and surveillance.